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By Adriana Nordin Manan
If arts panel discussions are meant to reflect the times, “Critical Responses to Performance-Making in A Post-Pandemic World” positioned itself well: at this stage of the pandemic, it was less ...
By Naima Morelli
This month, culture360 contributor Naima Morelli interviews Christian Shearer, Founder of Panya Project, an international community outside of Chiang Mai focusing on permaculture and entirely sustainable living.
By Valentina Riccardi
From 13 to 19 October 2016 in Bangkok, Thailand, Asiatopia Performance Conference 2016 gathered over 120 among artists, curators, writers, historians and theorists to discuss and document the development of ...
By David Fernández
As part of the media partnership between ASEF culture360 and BUKRUK II Urban Arts Festival, David Fernandez interviews Myrtille Tibayrenc and Nicolas Dali, the main organizers and artistic directors, who ...
Contributed by Jessica Amery The Circus on the Edge project was supported by the Creative Encounters: Cultural Partnerships initiative between Asia and Europe, promoted by the Asia-Europe Foundation (ASEF) and ...
By Herman Bashiron Mendolicchio
Herman Bashiron Mendolicchio interviews the Director of the Bangkok Art and Culture Centre (BACC), to discuss issues like mobility, exchange, networking and internationalisation strategies.
By Toby To
Despite the lack of government support towards performing arts in Thailand, various artists and organizers are striving to create arts festivals for and with their respective communities.
By Catarina Saraiva
This article gives an overview of the European and Southeast-Asian performing arts markets. It provides information that can lead to the creation of non-hierarchical dialogue between these two communities of ...
This is the second of a series of three articles based on interviews done to contemporary performing artists and programmers from Europe and Southeast Asia.
By Claire Wilson
The Graey Festival, staged in Singapore in November at the Substation, had its 3rd edition this year in 2010. The festival originally began as a study of Indian contemporary dance ...
The Bow Project was borne out of affiliations created during the Asia Europe Dance Forum- Pointe to Point organized by the Asia-Europe Foundation in China in 2007. It aimed to ...
By Vanini Belarmino
I interviewed two prominent figures in the performing arts: one from Thailand and one from Germanyto discuss their own experiences in working in opposite sides of the world.
Pichet Klunchun bridges traditional Thai Classical Dance language with contemporary sensibility, while keeping the heart and wisdom of the convention. He earned domestic notoriety for his efforts in contemporising Khon.