Get in-depth perspectives through commissioned articles, interviews and reports on current topics for Asia-Europe cultural relations.
28 Feb 2011
Escape Line is a research project that aims to prove the possibility of establishing a balanced dialogue between programmers and creators in the performing arts market.
14 Jun 2010
What do ‘festivals’ mean in a global world? How are they perceived in Europe compared with Asia? What is their dialogue, keeping in mind EU and Asian practices?
01 Jan 2010
[caption id="attachment_1023" align="alignright" width="300" caption="Image credit: Trans Europe Halles http://teh.net/"][/caption] The Internationale Gesellschaft der Bildenden Künste (IGBK) organised a meeting of European experts on ‘Mobility in the Visual Arts Sector …
01 Dec 2009
I interviewed two prominent figures in the performing arts: one from Thailand and one from Germanyto discuss their own experiences in working in opposite sides of the world.
09 Nov 2009
I met German theatre director/choreographer, Helena Waldmann at a Café in the trendy Berlin-Mitte. Respected for her bold character, very much reflected in her edgy works and professional engagements in …
07 Nov 2009
Pichet Klunchun bridges traditional Thai Classical Dance language with contemporary sensibility, while keeping the heart and wisdom of the convention. He earned domestic notoriety for his efforts in contemporising Khon.
02 Nov 2009
Europalia, based in Belgium, is a major international arts festival held every two years to celebrate one invited country’s cultural heritage. This year China has been chosen.
15 Apr 2008
Alison Andrews, Performing Arts Officer in the Yorkshire region for the Arts Council England.
15 Apr 2008
Amna Kusumo and three cultural activists founded Kelola, a national non-profit organisation that promotes Indonesian arts, through learning, access to funding and information.
15 Apr 2008
[caption id="attachment_2811" align="alignright" width="170" caption="Daisuke Muto, Japan "][/caption] Contributed by Ive Stevenheydens 'We are interrelated through history' Daisuke Muto, Japan "I like to interpret the word 'contemporary' literally: a moment …
15 Apr 2008
What is 'contemporary' in performing arts today? What at first seems to be a very simple question actually has no straight or univocal answer at all.
