ASEF Culture360 | Connecting Asia and Europe through arts and culture


By Judith Staines

15 Apr 2020

#StayHome #iorestoacasa #Quedateacasa - virtual tours of museums, online performances, webcams and more

#ASEFCulture

Many of us are confined at home #StayHome during the COVID-19 pandemic. Across Europe and Asia, masses of arts events have sadly been cancelled – festivals, conferences, performances, exhibitions, biennales …

EARS on Mumbai: Vibrant Platform for Cross-Cultural Collaboration & Networking Opportunities

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#ASEFCulture

The Europe-Asia Roundtable Sessions (EARS) aims to provide a creative platform to support international collaboration and cross-cultural interaction between Europe and Asia.

By Chloe Chotrani

14 Feb 2018

The importance of documenting & archiving the performing arts

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Chloe Chotrani is a movement artist and writer based in Singapore. She has set up the performing arts archive, Talking Circles, a digital archive of performing artists from South, Southeast …

By David Fernández

03 Feb 2017

In conversation with Rithisal Kang | Amrita Performing Arts | Cambodia

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ASEF culture360 contributor David Fernández discusses with Rithisal Kang, Executive Director the origins of Amrita Performing Arts as well as the developments of performing arts in Cambodia.

By Kerrine Goh

10 Oct 2013

Auckland and its Arts Festival | A conversation with Carla van Zon

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New Zealand arts consultant, Sarah Ropata interviews Carla van Zon, Artistic Director of the Auckland Arts Festival.

By Florentina Bratfanof

27 Dec 2012

Building bridges between Central and Eastern Europe | The EEPAP

The Eastern European Performing Arts Platform (EEPAP) is a platform that focuses on the fields of dance and theater and is a result of the cooperation between independent experts from …

By Kalaivani Karunanethy

29 Jun 2012

Pioneering Indonesian theatre director recognised

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For Citra Pratiwi, dancer, choreographer, arts researcher and activist, tradition is always open to new interpretations and innovation.

By Leonardo Rey S. Carino

05 Aug 2011

Reflections on Philippine Festivals

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Philippine festivals are town fiestas celebrating moments in history that defined identity, polity and locality. Celebration of the arts and culture, albeit made central to these festivities, only comes as …

By Catarina Saraiva

13 Jun 2011

The bridges to build in performing arts: utopia or reality? Part 3

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This article gives an overview of the European and Southeast-Asian performing arts markets. It provides information that can lead to the creation of non-hierarchical dialogue between these two communities of …

By Catarina Saraiva

08 Jun 2011

The bridges to build in performing arts in Southeast Asia: utopia or reality? Part 2

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This is the second of a series of three articles based on interviews done to contemporary performing artists and programmers from Europe and Southeast Asia.

By Catarina Saraiva

28 Apr 2011

The bridges to build in performing arts in Europe: utopia or reality?

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This is the first of three articles based on interviews with contemporary performing artists and programmers from Europe and Southeast Asia.

By Catarina Saraiva

28 Feb 2011

Investigating the relationship between programmers and artists

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Escape Line is a research project that aims to prove the possibility of establishing a balanced dialogue between programmers and creators in the performing arts market.

By Florentina Bratfanof

14 Jun 2010

European festivals in a global era

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What do ‘festivals’ mean in a global world? How are they perceived in Europe compared with Asia? What is their dialogue, keeping in mind EU and Asian practices?

By Judith Staines

01 Jan 2010

Solutions for the mobility of visual artists in Europe

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[caption id="attachment_1023" align="alignright" width="300" caption="Image credit: Trans Europe Halles http://teh.net/"][/caption] The Internationale Gesellschaft der Bildenden Künste (IGBK) organised a meeting of European experts on ‘Mobility in the Visual Arts Sector …

By Vanini Belarmino

01 Dec 2009

Asia-EU performing arts: cultural influences

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I interviewed two prominent figures in the performing arts: one from Thailand and one from Germanyto discuss their own experiences in working in opposite sides of the world.