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By Judith Staines
#ASEFCulture
Many of us are confined at home #StayHome during the COVID-19 pandemic. Across Europe and Asia, masses of arts events have sadly been cancelled – festivals, conferences, performances, exhibitions, biennales …
By Maria Sharon Mapa Arriola & Ritirong Jiwakanon
The Europe-Asia Roundtable Sessions (EARS) aims to provide a creative platform to support international collaboration and cross-cultural interaction between Europe and Asia.
By Kerrine Goh
Ellen Steinmuller reports on the three-month artistic residency that she spent in Cambodia to develop a choreography addressing the issue of domestic violence with the first and only all-female contemporary …
By Florentina Bratfanof
The Eastern European Performing Arts Platform (EEPAP) is a platform that focuses on the fields of dance and theater and is a result of the cooperation between independent experts from …
By Catarina Saraiva
This article gives an overview of the European and Southeast-Asian performing arts markets. It provides information that can lead to the creation of non-hierarchical dialogue between these two communities of …
This is the first of three articles based on interviews with contemporary performing artists and programmers from Europe and Southeast Asia.
Escape Line is a research project that aims to prove the possibility of establishing a balanced dialogue between programmers and creators in the performing arts market.
What do ‘festivals’ mean in a global world? How are they perceived in Europe compared with Asia? What is their dialogue, keeping in mind EU and Asian practices?
Europalia, based in Belgium, is a major international arts festival held every two years to celebrate one invited country’s cultural heritage. This year China has been chosen.
By Sasiwimon Wongjarin
The sixth edition of the Asia-Europe Dance Forum successfully took place in Portugal from 12th till 27th June 2009, hosted by Alkantara in Lisbon.
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