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By Valentina Riccardi
The Memory! International Film Heritage Festival that took place on 1-9 June in Phnom Penh, Cambodia, was the first festival in the region with a precise focus on film restoration.
By loredana Paracciani
The relation between the film as end product and the audience changes greatly, as the distinction between film industry and experimentation widens proportionally. No greater distinction can be noticed anywhere ...
By Kerrine Goh
Running parallel to the screenings is a program of film industry seminars focusing on inter-ASEAN cooperation and an exhibition honoring the photographic talents of His Majesty King Bhumibol Adulyadej.
By Jeffrey Withaya Campbell
This is an interview with aclaimed Thai filmmaker Apichatpong Weerasethakul. He directed Uncle Boonmee Who Can Recall Past Lives, which won the Palme d’or at Cannes, Europe's top film award.
By Ramona David
Raiding the Archives project – selected under the Asia-Europe Cultural Partnership Initiative: Film 2010 (AECPI: Film) programme which supported collaborative projects from Asia and Europe.
In May 2010 Apichatpong Weerasethakul won the Palme d’or at Cannes for his feature Uncle Boonmee Who Can Recall Past Lives, and thus became the first Thai director to receive ...
Singapore-based producer Juan Foo shares his thoughts and afterthoughts having been one of the Asian projects to be selected to participate in the ‘Produire Au Sud’ workshop and networking seminar; ...
By Jérémy Segay
We met with Olivier Aknin of Backup Films to talk about their activities of film financing. Backup Films participated in search of financers and the production of Tropical Malady, the ...
Report from Bangkok International Film Festival 2005 by Dave Chua
Film curator Tintin Wulia gives us the scoop at the 8th Thai Short Film and Video Festival
By Aditya Assarat, a Thai filmmaker
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