Claire Wilson takes a look at the diverse cultural scene in Australia’s second largest city. There is no doubt that the creative industries play an important role in the state ...

• Features

• Australia

ASEF culture360 contributor Florent Petit sketches a profile of Brussels, the capital of Belgium and home to the most important bodies of the European Union. One of the most important ...

• Features

• Belgium

ASEF culture360 interviews Heinrich Blömeke, Director of the Goethe Institute in Jakarta, to know more about this important and event and the collaborations that it has initiated between artists in ...

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• Germany
• Indonesia

If there is a country daily exposed in the international news today, that is, without a doubt, Greece.

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• Greece

Valentina Riccardi asked Lesley Alway, Director of Asialink Arts to share her curatorial journey with Curating culture360.org #2.

• Features

• Asia
• Australia
• Europe

Many projects in Polish performing and visual arts in recent years are being developed in non-institutional spaces to take advantage of the context and to experiment with strategies of viewer ...

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• Poland

Since George Town received the World Heritage title from UNESCO, jointly with Melaka as historic cities of the Straits of Malacca in 2008, it has experienced growing attention and underwent ...

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• Asia
• Malaysia

In this second of this two-part interview with culture360.org, Jong‐Ho Lee, Founding Artistic Director, SIDANCE Festival (Seoul International Dance Festival) talks about the importance of festivals in Asia.

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• Asia
• Korea

In this first two-part interview with Festival Directors, culture360.org talks with Lindy Hume, Director of the Sydney Festival in Australia.

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• Asia
• Australia
• Europe

What do ‘festivals’ mean in a global world? How are they perceived in Europe compared with Asia? What is their dialogue, keeping in mind EU and Asian practices?

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• Austria
• Europe

Alison Andrews, Performing Arts Officer in the Yorkshire region for the Arts Council England.

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• United Kingdom

Amna Kusumo and three cultural activists founded Kelola, a national non-profit organisation that promotes Indonesian arts, through learning, access to funding and information.

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• Indonesia

Kentaro Matsui is a theatre critic and also Programme Director of the Tokyo based Setagaya Public Theatre, Japan.

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• Japan

[caption id="attachment_2811" align="alignright" width="170" caption="Daisuke Muto, Japan "][/caption] Contributed by Ive Stevenheydens 'We are interrelated through history' Daisuke Muto, Japan "I like to interpret the word 'contemporary' literally: a moment ...

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• Japan

What is 'contemporary' in performing arts today? What at first seems to be a very simple question actually has no straight or univocal answer at all.

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• Indonesia
• Japan
• United Kingdom