View as PDF
By Preeti Gaonkar, Bridget Lee & Winnie Lim
Looking back at the first hybrid version of the ASEM Cultural Festival 2021, Preeti Gaonkar and Bridget Lee from the Asia-Europe Foundation (ASEF), interviewed His Excellency Hab Touch from Ministry of Culture and Fine ...
By Judith Staines
Many of us are confined at home #StayHome during the COVID-19 pandemic. Across Europe and Asia, masses of arts events have sadly been cancelled – festivals, conferences, performances, exhibitions, biennales ...
By Isabel Putinja
culture360.ASEF.org is featuring a new series of articles on the topic of #peripheries. The #peripheries have been regarded as being in the geographical margin, distant from the capital cities and ...
By Maria Sharon Mapa Arriola & Ritirong Jiwakanon
The Europe-Asia Roundtable Sessions (EARS) aims to provide a creative platform to support international collaboration and cross-cultural interaction between Europe and Asia.
By Florentina Bratfanof
The Eastern European Performing Arts Platform (EEPAP) is a platform that focuses on the fields of dance and theater and is a result of the cooperation between independent experts from ...
By Catarina Saraiva
This article gives an overview of the European and Southeast-Asian performing arts markets. It provides information that can lead to the creation of non-hierarchical dialogue between these two communities of ...
This is the first of three articles based on interviews with contemporary performing artists and programmers from Europe and Southeast Asia.
Escape Line is a research project that aims to prove the possibility of establishing a balanced dialogue between programmers and creators in the performing arts market.
What do ‘festivals’ mean in a global world? How are they perceived in Europe compared with Asia? What is their dialogue, keeping in mind EU and Asian practices?
Europalia, based in Belgium, is a major international arts festival held every two years to celebrate one invited country’s cultural heritage. This year China has been chosen.