View as PDF
By Adriana Nordin Manan
If arts panel discussions are meant to reflect the times, “Critical Responses to Performance-Making in A Post-Pandemic World” positioned itself well: at this stage of the pandemic, it was less ...
By Kerrine Goh
The Olympic Games are undoubtedly the most ambitiously celebrated sports festivals of our time. While countries bid to host the Games with great fervour despite the involvement of a huge ...
The Asian Producers' Platform Camp is an initiative organised by the Steering Committee for the Producer (South Korea), Performing Arts Alliance (Taiwan), ON-PAM Open Network for Performing Arts Management (Japan), ...
By Judith Staines
culture360.org Editor Judith Staines visits the southern Japanese city of Beppu and discovers a lively contemporary arts scene alongside the traditional hot springs culture.
By Katelijn Verstraete
At a recent gathering in Yokohama, Japan, over 50 independent creative producers from Asia and Europe got the opportunity to inspire and learn from each other about creating leading-edge arts ...
By Mary Ann DeVlieg
IETM is a network committed to contemporary performing arts and to collaborating across national borders. It has 440 member-organisations from over 45 countries.
By Jeffrey Withaya Campbell
Kentaro Matsui is a theatre critic and also Programme Director of the Tokyo based Setagaya Public Theatre, Japan.
[caption id="attachment_2811" align="alignright" width="170" caption="Daisuke Muto, Japan "][/caption] Contributed by Ive Stevenheydens 'We are interrelated through history' Daisuke Muto, Japan "I like to interpret the word 'contemporary' literally: a moment ...
What is 'contemporary' in performing arts today? What at first seems to be a very simple question actually has no straight or univocal answer at all.