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By Adriana Nordin Manan
If arts panel discussions are meant to reflect the times, “Critical Responses to Performance-Making in A Post-Pandemic World” positioned itself well: at this stage of the pandemic, it was less ...
By Kerrine Goh
#ASEFCulture
The Olympic Games are undoubtedly the most ambitiously celebrated sports festivals of our time. While countries bid to host the Games with great fervour despite the involvement of a huge ...
The Asian Producers' Platform Camp is an initiative organised by the Steering Committee for the Producer (South Korea), Performing Arts Alliance (Taiwan), ON-PAM Open Network for Performing Arts Management (Japan), ...
By Judith Staines
culture360.org Editor Judith Staines visits the southern Japanese city of Beppu and discovers a lively contemporary arts scene alongside the traditional hot springs culture.
By Katelijn Verstraete
At a recent gathering in Yokohama, Japan, over 50 independent creative producers from Asia and Europe got the opportunity to inspire and learn from each other about creating leading-edge arts ...
By Mary Ann DeVlieg
IETM is a network committed to contemporary performing arts and to collaborating across national borders. It has 440 member-organisations from over 45 countries.
By Jeffrey Withaya Campbell
Kentaro Matsui is a theatre critic and also Programme Director of the Tokyo based Setagaya Public Theatre, Japan.
[caption id="attachment_2811" align="alignright" width="170" caption="Daisuke Muto, Japan "][/caption] Contributed by Ive Stevenheydens 'We are interrelated through history' Daisuke Muto, Japan "I like to interpret the word 'contemporary' literally: a moment ...
What is 'contemporary' in performing arts today? What at first seems to be a very simple question actually has no straight or univocal answer at all.
