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By Dwirahmi Suryandari
As part of ASEF’s Call for Articles: Latest Trends in the Museum Sector in Asia and Europe, Dwirahmi Suryandari's article seeks to explore the rituals and tradition around objects and ...
By Adriana Nordin Manan
If arts panel discussions are meant to reflect the times, “Critical Responses to Performance-Making in A Post-Pandemic World” positioned itself well: at this stage of the pandemic, it was less ...
By Andrea Abellon
#ASEFCulture
The 20 residents of Virtual360 Konnect - Emerging Arts Leaders Virtual Residency Series are on full speed working together on their joint projects.
By David Fernández
This month, culture360 contributor David Fernandez travels to Yogyakarta, Indonesia. In this article, he interviews Gunawan Maryanto, Director of Teater Garasi, a multi-disciplinary performance collective that explores possibilities in performing ...
By Valentina Riccardi
From 13 to 19 October 2016 in Bangkok, Thailand, Asiatopia Performance Conference 2016 gathered over 120 among artists, curators, writers, historians and theorists to discuss and document the development of ...
By Kerrine Goh
The Ripple Effect is a multi-disciplinary creative workshop process with partners in France, UK, India and Indonesia.
By Kalaivani Karunanethy
For Citra Pratiwi, dancer, choreographer, arts researcher and activist, tradition is always open to new interpretations and innovation.
By Catarina Saraiva
This article gives an overview of the European and Southeast-Asian performing arts markets. It provides information that can lead to the creation of non-hierarchical dialogue between these two communities of ...
This is the second of a series of three articles based on interviews done to contemporary performing artists and programmers from Europe and Southeast Asia.
By Claire Wilson
The Graey Festival, staged in Singapore in November at the Substation, had its 3rd edition this year in 2010. The festival originally began as a study of Indian contemporary dance ...
By Mary Ann DeVlieg
IETM is a network committed to contemporary performing arts and to collaborating across national borders. It has 440 member-organisations from over 45 countries.
By Jeffrey Withaya Campbell
Amna Kusumo and three cultural activists founded Kelola, a national non-profit organisation that promotes Indonesian arts, through learning, access to funding and information.
What is 'contemporary' in performing arts today? What at first seems to be a very simple question actually has no straight or univocal answer at all.
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