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By Adriana Nordin Manan
If arts panel discussions are meant to reflect the times, “Critical Responses to Performance-Making in A Post-Pandemic World” positioned itself well: at this stage of the pandemic, it was less ...
By Tony Sugiarta, Masako Tanaka, Arie Syarifuddin and Marinella Andrea Mina
#ASEFCulture
Participants of the online residency Virtual Workings Tony Sugiarta (Indonesia), Masako Tanaka (Japan), Arie Syarifuddin (Indonesia) and Marinella Andrea Mina (Philippines) worked together on the topic of "Interweaving Textiles" under ...
By Valentina Riccardi
From 24 to 26 October 2016, in Valencia, Spain, 5 cultural managers from India, China, Indonesia, the Philippines and Japan, participated in the second phase of Eurasian Creaspace Networking (ECN), ...
By Veeranganakumari Solanki
The history of Biennales and how they have developed in Asia is very young when compared to Biennales in other parts of the world. However, with this Shifting Gravity, there ...
By Mary Ann DeVlieg
IETM is a network committed to contemporary performing arts and to collaborating across national borders. It has 440 member-organisations from over 45 countries.
By Jeffrey Withaya Campbell
What is 'contemporary' in performing arts today? What at first seems to be a very simple question actually has no straight or univocal answer at all.
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