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By Claire Wilson
Claire Wilson takes a look at the diverse cultural scene in Australia’s second largest city. There is no doubt that the creative industries play an important role in the state ...
By Florent Petit
ASEF culture360 contributor Florent Petit sketches a profile of Brussels, the capital of Belgium and home to the most important bodies of the European Union. One of the most important ...
By Valentina Riccardi
ASEF culture360 interviews Heinrich Blömeke, Director of the Goethe Institute in Jakarta, to know more about this important and event and the collaborations that it has initiated between artists in ...
By Herman Bashiron Mendolicchio
If there is a country daily exposed in the international news today, that is, without a doubt, Greece.
Valentina Riccardi asked Lesley Alway, Director of Asialink Arts to share her curatorial journey with Curating culture360.org #2.
By Kerrine Goh
Many projects in Polish performing and visual arts in recent years are being developed in non-institutional spaces to take advantage of the context and to experiment with strategies of viewer ...
By Sali Sasaki (佐々木 沙梨)
Since George Town received the World Heritage title from UNESCO, jointly with Melaka as historic cities of the Straits of Malacca in 2008, it has experienced growing attention and underwent ...
In this second of this two-part interview with culture360.org, Jong‐Ho Lee, Founding Artistic Director, SIDANCE Festival (Seoul International Dance Festival) talks about the importance of festivals in Asia.
In this first two-part interview with Festival Directors, culture360.org talks with Lindy Hume, Director of the Sydney Festival in Australia.
By Florentina Bratfanof
What do ‘festivals’ mean in a global world? How are they perceived in Europe compared with Asia? What is their dialogue, keeping in mind EU and Asian practices?
By Jeffrey Withaya Campbell
Alison Andrews, Performing Arts Officer in the Yorkshire region for the Arts Council England.
Amna Kusumo and three cultural activists founded Kelola, a national non-profit organisation that promotes Indonesian arts, through learning, access to funding and information.
Kentaro Matsui is a theatre critic and also Programme Director of the Tokyo based Setagaya Public Theatre, Japan.
[caption id="attachment_2811" align="alignright" width="170" caption="Daisuke Muto, Japan "][/caption] Contributed by Ive Stevenheydens 'We are interrelated through history' Daisuke Muto, Japan "I like to interpret the word 'contemporary' literally: a moment ...
What is 'contemporary' in performing arts today? What at first seems to be a very simple question actually has no straight or univocal answer at all.
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