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By Leonardo Rey S. Carino
Philippine festivals are town fiestas celebrating moments in history that defined identity, polity and locality. Celebration of the arts and culture, albeit made central to these festivities, only comes as ...
By miki braniste
Why theater at one of the biggest film festivals in Eastern Europe? What does it bring to the audience in addition to the movie projections?
By Valentina Riccardi
In this second of this two-part interview with culture360.org, Jong‐Ho Lee, Founding Artistic Director, SIDANCE Festival (Seoul International Dance Festival) talks about the importance of festivals in Asia.
After a week of intensive workshops and discussions I am attempting to put into words what an incredibly inspiring and transforming experience it has been for me to attend the ...
In this first two-part interview with Festival Directors, culture360.org talks with Lindy Hume, Director of the Sydney Festival in Australia.
By Catarina Saraiva
This article gives an overview of the European and Southeast-Asian performing arts markets. It provides information that can lead to the creation of non-hierarchical dialogue between these two communities of ...
This is the second of a series of three articles based on interviews done to contemporary performing artists and programmers from Europe and Southeast Asia.
This is the first of three articles based on interviews with contemporary performing artists and programmers from Europe and Southeast Asia.
By Katelijn Verstraete
Choreographer Arco Renz, the creator of the Monsoon platform, talks to Katelijn Verstraete, Asia-Europe Foundation’s (ASEF) Assistant Director for Cultural Exchange, about the latest edition of his project.
At a recent gathering in Yokohama, Japan, over 50 independent creative producers from Asia and Europe got the opportunity to inspire and learn from each other about creating leading-edge arts ...
By Sasiwimon Wongjarin
The Asia-Europe Cultural Partnership Initiative: Performing Arts encouraged new strategic partnerships between Asian and European organisations to create and sustain a dialogue through the practise and production of performing arts ...
By Ramona David
Belgian dramaturge Bart van den Eynde describes his experiences at ‘Monsoon’, a transcultural and multi-disciplinary research and performance platform for Asian and European artists.
Escape Line is a research project that aims to prove the possibility of establishing a balanced dialogue between programmers and creators in the performing arts market.
By Florentina Bratfanof
The Romanian National Theatre Festival (RNTF) started in 1990, in Bucharest, just after the fall of the communist regime. The festival was at first a gathering of Romanian productions from ...
By Claire Wilson
The Graey Festival, staged in Singapore in November at the Substation, had its 3rd edition this year in 2010. The festival originally began as a study of Indian contemporary dance ...