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By Madhura Dutta
This article features the research and writing of Madhura Dutta, as a part of ASEF's Call for articles: Latest Trends in the Museum Sector in Asia and Europe. Encompassing their ...
By Veeranganakumari Solanki
This article by Veerangana Solanki looks at various art funding models that emerged in three South Asian ASEM countries – Bangladesh, India, Pakistan – to support artists and art practices ...
As part of the media partnership between culture360.ASEF.org and The Art X Company, we interviewed Parmesh Shahani, Head, Godrej India Culture Lab and Rashmi Dhanwani, founder, ArtX Company to tell ...
By Maria Sharon Mapa Arriola & Ritirong Jiwakanon
The Europe-Asia Roundtable Sessions (EARS) aims to provide a creative platform to support international collaboration and cross-cultural interaction between Europe and Asia.
By Valentina Riccardi
ASEF culture360 contributor Vanini Belarmino caught up with Sankar following the conclusion of ITFoK and in between his free time as he builds a self-funded Sahyande Theatre and prepares for ...
By Kerrine Goh
Contributed by Vanini Belarmino Female Factory Worker: “I think I am special. That’s why I am here.” Supervisor: “You think you are special. You have to be more than ...
The Ripple Effect is a multi-disciplinary creative workshop process with partners in France, UK, India and Indonesia.
By Anupama Sekhar
Indian writer and performer Deepika Arwind looks behind the scenes of the Indo-British collaboration on Aristophanes’ 2,500-year-old play, Lysistrata.
Indian playwright, actor & director Abhishek Majumdar on his collaboration with Konradin Kunze and Sophia Stepf from Germany and their common love for storytelling.
By Sasiwimon Wongjarin
Health on Stage aimed to enhance cultural competencies and creative thinking of young volunteers in fostering dialogue on public health, focusing on water-related health issues.
By Shiva Pathak
Attakkalari is India’s premiere organization working in the field of contemporary movement arts. Through its many distinct programmes it works towards creating a context for contemporary movement.
By Claire Wilson
The Graey Festival, staged in Singapore in November at the Substation, had its 3rd edition this year in 2010. The festival originally began as a study of Indian contemporary dance ...