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By Kerrine Goh
Two cases of Thailand in the context of the festivals and their communities will be shared in this two-parts article. This first part outlines the case of Pahtum Thani International ...
By Catarina Saraiva
This article gives an overview of the European and Southeast-Asian performing arts markets. It provides information that can lead to the creation of non-hierarchical dialogue between these two communities of ...
This is the second of a series of three articles based on interviews done to contemporary performing artists and programmers from Europe and Southeast Asia.
By Vanini Belarmino
I interviewed two prominent figures in the performing arts: one from Thailand and one from Germanyto discuss their own experiences in working in opposite sides of the world.
Pichet Klunchun bridges traditional Thai Classical Dance language with contemporary sensibility, while keeping the heart and wisdom of the convention. He earned domestic notoriety for his efforts in contemporising Khon.