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By Sali Sasaki (佐々木 沙梨)
The third interview for By People / In Cities: Phnom Penh invites Fred Frumberg, Founder and Executive Director of Amrita Performing Arts, a non-profit organisation working to preserve and revive ...
By Florentina Bratfanof
The Eastern European Performing Arts Platform (EEPAP) is a platform that focuses on the fields of dance and theater and is a result of the cooperation between independent experts from ...
By Kalaivani Karunanethy
For Citra Pratiwi, dancer, choreographer, arts researcher and activist, tradition is always open to new interpretations and innovation.
By Claire Wilson
culture360.org contributor Chum Chanveasna sat down with John Shapiro, Executive Director and Co-Founder of Khmer Arts and its importance in the Cambodian arts scene.
By Shiva Pathak
Attakkalari is India’s premiere organization working in the field of contemporary movement arts. Through its many distinct programmes it works towards creating a context for contemporary movement.
By Leonardo Rey S. Carino
Philippine festivals are town fiestas celebrating moments in history that defined identity, polity and locality. Celebration of the arts and culture, albeit made central to these festivities, only comes as ...
By Bilqis Hijjas
A report on a meeting in Kobe, Japan, in April 2011, to share case studies of dance festivals in Asia and to build a network among festival directors.
By Catarina Saraiva
This article gives an overview of the European and Southeast-Asian performing arts markets. It provides information that can lead to the creation of non-hierarchical dialogue between these two communities of ...
This is the second of a series of three articles based on interviews done to contemporary performing artists and programmers from Europe and Southeast Asia.
This is the first of three articles based on interviews with contemporary performing artists and programmers from Europe and Southeast Asia.
By Judith Staines
Culture360.org Europe Editor Judith Staines looks at a unique cultural exchange programme currently building connections between professional dance specialists in Finland and Korea.
Escape Line is a research project that aims to prove the possibility of establishing a balanced dialogue between programmers and creators in the performing arts market.
The Graey Festival, staged in Singapore in November at the Substation, had its 3rd edition this year in 2010. The festival originally began as a study of Indian contemporary dance ...
By Anupama Sekhar
Conceptualised by the Delhi-based Gati Dance Forum, Ignite! succeeded in creating a dedicated platform for both performances and the debates surrounding practice.
By Valentina Riccardi
The Bow Project was borne out of affiliations created during the Asia Europe Dance Forum- Pointe to Point organized by the Asia-Europe Foundation in China in 2007. It aimed to ...