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By Catarina Saraiva
This article gives an overview of the European and Southeast-Asian performing arts markets. It provides information that can lead to the creation of non-hierarchical dialogue between these two communities of ...
This is the second of a series of three articles based on interviews done to contemporary performing artists and programmers from Europe and Southeast Asia.
By Jeffrey Withaya Campbell
This is an interview with aclaimed Thai filmmaker Apichatpong Weerasethakul. He directed Uncle Boonmee Who Can Recall Past Lives, which won the Palme d’or at Cannes, Europe's top film award.
By Ramona David
Raiding the Archives project – selected under the Asia-Europe Cultural Partnership Initiative: Film 2010 (AECPI: Film) programme which supported collaborative projects from Asia and Europe.
By Kerrine Goh
In May 2010 Apichatpong Weerasethakul won the Palme d’or at Cannes for his feature Uncle Boonmee Who Can Recall Past Lives, and thus became the first Thai director to receive ...
By Claire Wilson
The Graey Festival, staged in Singapore in November at the Substation, had its 3rd edition this year in 2010. The festival originally began as a study of Indian contemporary dance ...
By Valentina Riccardi
The Bow Project was borne out of affiliations created during the Asia Europe Dance Forum- Pointe to Point organized by the Asia-Europe Foundation in China in 2007. It aimed to ...
By Vanini Belarmino
I interviewed two prominent figures in the performing arts: one from Thailand and one from Germanyto discuss their own experiences in working in opposite sides of the world.
Pichet Klunchun bridges traditional Thai Classical Dance language with contemporary sensibility, while keeping the heart and wisdom of the convention. He earned domestic notoriety for his efforts in contemporising Khon.
Singapore-based producer Juan Foo shares his thoughts and afterthoughts having been one of the Asian projects to be selected to participate in the ‘Produire Au Sud’ workshop and networking seminar; ...
By Jérémy Segay
We met with Olivier Aknin of Backup Films to talk about their activities of film financing. Backup Films participated in search of financers and the production of Tropical Malady, the ...
Report from Bangkok International Film Festival 2005 by Dave Chua
Film curator Tintin Wulia gives us the scoop at the 8th Thai Short Film and Video Festival
By Aditya Assarat, a Thai filmmaker