culture360.asef.org http://culture360.asef.org Connecting Asia and Europe through arts and culture Tue, 22 Jul 2014 21:27:33 +0000 en-US hourly 1 http://wordpress.org/?v=3.5.1 Australia | Bogong Centre for Sound Culture residencieshttp://culture360.asef.org/opportunity/australia-bogong-centre-for-sound-culture-residencies/?utm_source=rss&utm_medium=rss&utm_campaign=australia-bogong-centre-for-sound-culture-residencies http://culture360.asef.org/opportunity/australia-bogong-centre-for-sound-culture-residencies/#comments Tue, 22 Jul 2014 21:27:33 +0000 Judith Staines http://culture360.asef.org/?post_type=opportunity&p=42719

Bogong Centre for Sound Culture (BCSC) in Australia is offering 8 supported, 2 week artist residencies between October 6, 2014 and May 31, 2015. Residencies are aimed at professional...  Read More

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Bogong Centre for Sound Culture (BCSC) in Australia is offering 8 supported, 2 week artist residencies between October 6, 2014 and May 31, 2015. Residencies are aimed at professional artists working in the area of Sound Art, Photography, Spatial Practice and Video Art.

SELECTION CRITERIA

  • Applications are open to solo professional practicing artists in the areas of sound art, photography, video art and spatial practice
  • Selection is based on artistic excellence
  • The strength of the project’s artistic concept
  • The proposed use of time for creative development
  • The type and quality of workshop / talk the artist can provide to the community

Note

  • BCSC strongly encourages artists to present projects that can establish interaction with the place, its inhabitants, geographic space and memory

The residency does NOT offer travel expenses but accommodation, project support and other assistance is provided.

Application deadline: 15 August 2014

BCSC Supported Residency program is located in Bogong Village. The village is situated in the foothills of Victoria’s Alpine National Park, between Mt Beauty and Falls Creek. It takes approximately 4.5 hours to get there by car from Melbourne.

The aim of the BCSC Supported Residency Program is to provide cultural opportunities to the Alpine Shire community, through public programs implemented by Australian and International artists while residing at the BCSC.

BCSC also offers various workshops and masterclasses – currently on offer in late 2014 is a 1 week masterclass on ‘Sound, Art and the Environment‘ and a 2015 workshop on ‘Composing for Immersive Environments

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Report on UNESCO Convention in Asia published by IFACCAhttp://culture360.asef.org/news/report-on-unesco-convention-in-asia-published-by-ifacca/?utm_source=rss&utm_medium=rss&utm_campaign=report-on-unesco-convention-in-asia-published-by-ifacca http://culture360.asef.org/news/report-on-unesco-convention-in-asia-published-by-ifacca/#comments Mon, 21 Jul 2014 21:31:11 +0000 Judith Staines http://culture360.asef.org/?p=42927

IFACCA has published Analytical Report: Cultural Policies and the 2005 UNESCO Convention in Asia. The report, commissioned by UNESCO, aims to provide an overview of national policies and measures...  Read More

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IFACCA logoIFACCA has published Analytical Report: Cultural Policies and the 2005 UNESCO Convention in Asia. The report, commissioned by UNESCO, aims to provide an overview of national policies and measures implemented by Parties in Asia in regard to the 2005 UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions.

On 4-6 March 2014 UNESCO Bangkok and IFACCA hosted the Regional Seminar ‘Diversity of Cultural Expressions in Asia: Challenges and Perspectives on the Implementation of the 2005 Convention’, in Bangkok, Thailand.  The objective of the seminar was to exchange experiences on the implementation of the 2005 UNESCO Convention.

In preparation for the seminar, IFACCA, with the support of UNESCO Bangkok, drafted an analytical report based on existing quadrennial periodic reports submitted by the Parties in Asia-Pacific to the Secretariat of the 2005 UNESCO Convention as well as its own cultural policy resources .

unesco_enThe seminar participants discussed the draft analytical report, provided updates and introduced examples from their countries some of which are included in this final version of the report.

For more information and resources relating to the 2005 Convention, please visit: http://www.ifacca.org/topic/convention-cultural-diversity/ .

For further information on the Regional Seminar, please visit: http://www.ifacca.org/announcements/2014/03/13/unesco-and-ifacca-stage-bangkok-meeting-diversity-/

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Produire au Sud film workshops | ASEAN / Asia applicants callhttp://culture360.asef.org/opportunity/produire-au-sud-film-workshops-asia-and-asean-applicants/?utm_source=rss&utm_medium=rss&utm_campaign=produire-au-sud-film-workshops-asia-and-asean-applicants http://culture360.asef.org/opportunity/produire-au-sud-film-workshops-asia-and-asean-applicants/#comments Mon, 21 Jul 2014 21:22:06 +0000 Judith Staines http://culture360.asef.org/?post_type=opportunity&p=42988

PRODUIRE AU SUD is a professional film-makers training workshop organized every year in Nantes (France) by the Festival of 3 Continents. In 2014, an additional workshop will be held...  Read More

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produire_2014PRODUIRE AU SUD is a professional film-makers training workshop organized every year in Nantes (France) by the Festival of 3 Continents. In 2014, an additional workshop will be held for ASEAN film professionals in Bangkok. Open call for both workshops.

The BANGKOK Produire au Sud workshop (October 23-25) is a 3 days local training workshop dedicated to emerging producers and directors from the ASEAN countries : Brunei, Burma, Cambodia, Indonesia, Laos, Malaysia, Philippines, Singapore, Thailand and Vietnam.

The workshop aims at familiarizing young professionals with a variety of important tools and international coproduction techniques by coaching individual projects in development.

The workshop will take place October 23-25, 2014 in Bangkok (Thailand). It is initiated by Produire au Sud/Festival des 3 Continents and World Film Festival of Bangkok, and supported by the French Embassy in Thailand and ASEAN.

Further information at WFF Bangkok

Ø  The Bangkok workshop will take place between October 23rd and 25th during the World Film Festival of Bangkok (October 17 – 26, 2014). Accommodation expenses are covered by the World Film Festival of Bangkok. Flight transportation to Bangkok could be sponsored by French Embassies, depending on funding availability. Applicants must contact French Embassies representatives for that matter.

The call for entries for BANGKOK workshop is open until August 11, 2014.

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The NANTES Produire au Sud workshop (24-30 November) is open to film projects bearer from Asia, Africa and Latin America countries.

PRODUIRE AU SUD is a workshop focusing on the outline and structure of film coproduction within the industry. The workshop aims to familiarize young producers based in Africa, Latin America, and Asia with a variety of important tools and international coproduction techniques by coaching individual projects in development.

Six film projects will be selected to take part of the PRODUIRE AU SUD workshop which will take place in Nantes November 24-30 2014 in the framework of the 36th Festival of 3 Continents and in partnership with the Institute for Advanced Study (IEA-Nantes).

Ø  The Nantes workshop will take place during the Festival of 3 Continents (Nov.25th to Dec. 2nd). Transportation and accommodation expenses are covered by the festival.

Deadline: NANTES workshop – 31 July 2014
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All ASEAN filmmakers (Brunei, Cambodia, Indonesia, Laos, Malaysia, Myanmar, Philippines, Singapore, Thailand, Vietnam) are welcome to apply and present their projects currently under development: one application allows to be considered to both workshops, in Bangkok and in Nantes.

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Akiyoshidai International Art Village | 2015 residency callhttp://culture360.asef.org/opportunity/akiyoshidai-international-art-village-2015-residency-call/?utm_source=rss&utm_medium=rss&utm_campaign=akiyoshidai-international-art-village-2015-residency-call http://culture360.asef.org/opportunity/akiyoshidai-international-art-village-2015-residency-call/#comments Sun, 20 Jul 2014 21:54:44 +0000 Judith Staines http://culture360.asef.org/?post_type=opportunity&p=42681

Aikyoshidai International Art Village in Yamaguchi, Japan is accepting applications under the Residence Support Program trans_2014-2015. Two international and one Japanese artist to be selected for 55 day residencies Jan-March...  Read More

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Aikyoshidai International Art Village in Yamaguchi, Japan is accepting applications under the Residence Support Program trans_2014-2015. Two international and one Japanese artist to be selected for 55 day residencies Jan-March 2015 on project theme: “The Features of This Land”.

This call is open for all artists, performers, musicians, choreographers and any creative individuals in all genre. The art village is fully equipped for various artistic activities such as music, art, dance and drama.

The AIAV Residence Support Program provides a time and place for artists to experience new encounters and carry out experiments to guide their future projects. Participating artists are expected to bring new ideas to the local culture and people while they, in turn, will hopefully acquire new perspectives through these fresh encounters. As a result of the residence program, the artists will convey their new experiences, gathered from the local lifestyle and our particular geographic situation, to their next destination.

We hope that the residence program at Akiyoshidai International Art Village becomes a space for artists to go beyond cultural borders and expand their outlooks, exchange their unique understandings and establish relationships with fellow artists.

Eligibility

Artists who must be able:

(1) to stay at AIAV during the designated period of time.

(2) to participate in all pubic programs, e.g. open studio, presentations and talks and to create new work.

(3) to participate in the exchange programs for local community, e.g. talks, lectures and outreach programs.

(4) to provide images and documentations, e.g. pictures and videos, for publicity and archiving in accordance with AIAV’s request.

(5) to take part in educational programs at local schools and universities in English or Japanese.

(6) to work and live independently.

(7) to present the results of the residence program, e.g. exhibitions, reviews or talks outside Japan within a year after the program.

Support

(1) Travel expenses: a round trip from your address to AIAV

(A round trip tickets for international flights, domestic flights and/or domestic railway tickets)

(2) Accommodation at AIAV (private room with bath/toilet)

(3) Studio (assignment will be arranged by AIAV: artists may have to share with others)

(4) Production expenses:  200,000 yen

(5) Per diem: 2,800 yen x days of the program

Deadline

Applications must be received by midnight, July 31 2014 by email (JST)

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Sapporo International Art Festival – SIAF 2014http://culture360.asef.org/event/sapporo-international-art-festival-siaf-2014/?utm_source=rss&utm_medium=rss&utm_campaign=sapporo-international-art-festival-siaf-2014 http://culture360.asef.org/event/sapporo-international-art-festival-siaf-2014/#comments Thu, 17 Jul 2014 21:48:23 +0000 Judith Staines http://culture360.asef.org/?post_type=event&p=42184

Sapporo International Art Festival – SIAF 2014, the city’s first international art festival, is held as part of the Creative City Sapporo initiative over a period of 72 days...  Read More

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Sapporo International Art Festival – SIAF 2014, the city’s first international art festival, is held as part of the Creative City Sapporo initiative over a period of 72 days from Saturday, July 19 to Sunday, September 28, 2014, under the stewardship of Guest Director and globally renowned artist Ryuichi Sakamoto.

The theme of the event is City and Nature.

Globally active contemporary artists will contribute to this international art festival, which will provide opportunities for visitors to examine how cities can coexist with nature in the future. During SIAF 2014, a variety of projects will be implemented across Sapporo.

Check out the participating artists

logo-sapporo-siafThe entire city and its museums serves as a stage for the event.

The Sapporo International Art Festival 2014 will provide opportunities for visitors to explore the concept of nature, cities, economy and lifestyles and to find out more about how cities can coexist with nature based on a reassessment of urban and environmental issues in Sapporo/Hokkaido and the region’s history in the context of art.

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The Asian Boom in Australian Performing Artshttp://culture360.asef.org/news/the-asian-boom-in-australian-performing-arts/?utm_source=rss&utm_medium=rss&utm_campaign=the-asian-boom-in-australian-performing-arts http://culture360.asef.org/news/the-asian-boom-in-australian-performing-arts/#comments Thu, 17 Jul 2014 04:55:38 +0000 Judith Staines http://culture360.asef.org/?p=42693

In an article for theApro, Choi Bo-mi looks at the boom in Asian performing arts in Australia’s arts scene. Choi was an intern on a Korea Arts Management Service...  Read More

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In an article for theApro, Choi Bo-mi looks at the boom in Asian performing arts in Australia’s arts scene. Choi was an intern on a Korea Arts Management Service (KAMS) Connection programme at the Adelaide Festival Centre and Melbourne Arts Centre for 9 months in 2013/14.

The article focuses on performing arts festivals and markets in and around Adelaide and Melbourne.

It is a nation that is seasonally opposite to us, but time-zonally close; culturally and linguistically Western and foreign, but geographically and economically Asian and familiar. This simultaneously distant and near country—the most recent addition to Korea’s list of Free Trade Agreement partners—is Australia. While it has only become a significant economic and political partner in the last few years, on the arts and culture front, Australia has long since established as close a relationship with Korea as it has with any of its Asian neighbors.

The 2012–2013 Korea-Australia Connection Initiative: Performing Arts Internship, organized by KAMS and the Australia Council for the Arts, is a program that illustrates the depth of the two countries’ relationship. The Adelaide Festival Centre and the Melbourne Arts Centre, where the internship program has been taking place for a total of nine months, are excellent examples of the leadership and resourcefulness in Australia’s exchange of culture and the arts with Asian countries.

[... article continues]  Read full article on theApro

Choi Bo-mi has studied Culture & Creative Industries at King’s College London, and has since worked as a Promotions Manager at the Hi Seoul Festival, and at the Korean Cultural & Arts Centers Association as the Manager for the Jeju Haevichi Arts Festival. Until February, she had been interning at the Adelaide Festival Centre and Melbourne Arts Centre for a period of nine months.

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Jordi Baltà is the new ASEMUS Editorhttp://culture360.asef.org/asef-news/jordi-balta-is-the-new-asemus-editor/?utm_source=rss&utm_medium=rss&utm_campaign=jordi-balta-is-the-new-asemus-editor http://culture360.asef.org/asef-news/jordi-balta-is-the-new-asemus-editor/#comments Thu, 17 Jul 2014 04:48:32 +0000 Valentina Riccardi http://culture360.asef.org/?p=42898

Jordi Baltà has recently joined the Asia-Europe Museum Network (ASEMUS) team as web and social media editor.  Read More

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Jordi Baltà has recently joined the Asia-Europe Museum Network (ASEMUS) team as web and social media editor.

His role will involve researching and posting relevant online content, keeping up-to-date with culture news and information coming from ASEMUS member museums, commissioning articles and interviews for the website and sharing editorial content through social media networks and newsletters. In addition to the ASEMUS website, ASEMUS is currently active on social media networks Facebook and Twitter.

Further to his post at ASEMUS, Jordi Baltà works as a freelance consultant and trainer in the areas of cultural policy, cultural management and international affairs. He is a member of the UNESCO-EU Pool of Experts on the Governance of Culture in Developing Countries, as well as the U40 Network “Cultural Diversity 2030″. He previously worked at the Interarts Foundation. He is based in Barcelona.

Both ASEMUS member museums and other interested organisations and professionals are invited to contact him at jordi.balta [at] culture360.org with relevant information for the network.

Set up in 2000, the Asia-Europe Museum Network (ASEMUS) is a cross-cultural network of museums from Asia-Europe Meeting (ASEM) countries. Its objectives include promoting mutual understanding between the peoples of Asia and Europe through collaborative museum-based cultural activity and stimulating and facilitating the sharing and use of museum collections.

ASEMUS is led by an Executive Committee and supported by a Secretariat. The Patron of ASEMUS is the Executive Director of the Asia-Europe Foundation (ASEF).

 

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Becomebecome masterclass in Greecehttp://culture360.asef.org/opportunity/becomebecome-masterclass-in-greece/?utm_source=rss&utm_medium=rss&utm_campaign=becomebecome-masterclass-in-greece http://culture360.asef.org/opportunity/becomebecome-masterclass-in-greece/#comments Wed, 16 Jul 2014 21:24:10 +0000 Judith Staines http://culture360.asef.org/?post_type=opportunity&p=42882

Becomebecome is a 5-day masterclass (10-15 September 2014) held on the beautiful island of Kefalonia, Greece, a development programme for transdisciplinary art projects. A call for applications is open...  Read More

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Becomebecome is a 5-day masterclass (10-15 September 2014) held on the beautiful island of Kefalonia, Greece, a development programme for transdisciplinary art projects. A call for applications is open and 12 artists will be selected.

Deadline for applications: July 28 2014

Becomebecome offers an opportunity to introduce a personal or professional project and amplify, augment and communicate it.
  This process will transform every idea into a vibrant structure in order to discover new information about the project’s nature.
 Each member of the masterclass will have an opportunity to communicate and finally evaluate the results of this process in collaboration with experts in the field of Art, Science and Technology.

It is a chance for wide variety of creators (visual artists, performers, dancers, educators, programmers) and researchers to bolster their proposals and create alliances to develop and conduct their projects within a transdisciplinary platform.

Participants will be part of a methodology that expands on the richness of their multicultural backgrounds to provide illuminating feedback, fertile networking and cooperative learning.

Through the methodological structuring and management of creative kinetics, becomebecome establishes the conditions to advance each original undertaking and acquire new strategies to include in future endeavours.

The Master Class will be held at the Ionian Centre for the Arts and Culture, Kefalonia and is limited to 12 participants.  The selection will be based on the originality and transdisciplinarity of the project

Participation fee is 248 Euros. This includes accommodation, breakfast and one meal. Travelling expenses and local transportations are not included.

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Schloss Broellin performing arts production residency grantshttp://culture360.asef.org/opportunity/schloss-broellin-performing-arts-production-residency-grants/?utm_source=rss&utm_medium=rss&utm_campaign=schloss-broellin-performing-arts-production-residency-grants http://culture360.asef.org/opportunity/schloss-broellin-performing-arts-production-residency-grants/#comments Tue, 15 Jul 2014 21:57:50 +0000 Judith Staines http://culture360.asef.org/?post_type=opportunity&p=42716

Professional art groups from Germany and abroad can apply for a residence stay at Schloss Broelinn, Germany of up to three weeks in 2015 for the production of projects...  Read More

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Professional art groups from Germany and abroad can apply for a residence stay at Schloss Broelinn, Germany of up to three weeks in 2015 for the production of projects in contemporary dance, theatre and performance.

With several dance studios, production spaces and seminar rooms, as well as overnight accommodation and catering facilities, Schloss Bröllin offers space for artists to rehearse, experiment, train and relax in a creative atmosphere.

The goal of the residence programmes in Schloss Bröllin is to give ensembles and groups the possibility of a short and concentrated production phase, and to support groups whose members come from different places or countries. During the stay (3 weeks during the April-November 2015 period), the agreed working spaces, accommodation and boarding will be provided. The deadline for residence applications at Schloss Bröllin is the end of July each year (must be postmarked on or before the date), for residencies in the following year.

* Artists from all parts of the world and of all ages are welcome to apply.

* Preference will be given to groups or collaboration work.

* The applicants ought to have previous experience in realizing their own projects.

* One of the invited productions will be considered on the basis of its new talent.

* One of the invited productions ought to relate to the region or incorporate regional factors in its project.

* Preconditions also are a professional work method in sight as well as signs of an artistic idea with an idiosyncratic interesting approach in the form.

* As the support only covers the rehearsal period of the project, additional funds should be secured for the other stages of the project.

* Potential performance venues and partnerships for the project ought to be considered. The results of the residence will be performed publicly as a work-in-progress presentation at Schloss
Bröllin.

* Residence groups are required to credit the association of Schloss Bröllin as well as the ministry of education, science and culture in the federal state of Mecklenburg- Western Pomerania in all publications related to the sponsored project.

Deadline for applications: July 31 2014

Schloss Bröllin is an international art research location by artists for artists and guests from all over the world. An 800 years old heritage-protected site, situated in the German-Polish border area 40 km west of Szczecin, 6 km south of Pasewalk, and 130 km north of Berlin, Schloss Bröllin offers a variety of in- and outdoor rehearsal spaces for dance, theatre and music, as well as several conference and seminar rooms. For accommodation there are a number of options available. Covering an area of 53.000 m2, there is plenty of space to experiment, train and relax.

Over 500 dance-, theater- and performance projects have been developed here by artists from around the world, and later performed regionally, nationally and internationally.

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Sensory Spaces | contemporary art from Beijing in Rotterdamhttp://culture360.asef.org/event/sensory-spaces-contemporary-art-from-beijing-in-rotterdam/?utm_source=rss&utm_medium=rss&utm_campaign=sensory-spaces-contemporary-art-from-beijing-in-rotterdam http://culture360.asef.org/event/sensory-spaces-contemporary-art-from-beijing-in-rotterdam/#comments Tue, 15 Jul 2014 21:14:52 +0000 Judith Staines http://culture360.asef.org/?post_type=event&p=42701

Sensory Spaces is a series of commissioned solo projects presented in the Willem van der Vorm Gallery at the Museum Boijmans Van Beuningen, Rotterdam. Liu Wei was asked to...  Read More

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Sensory Spaces4_VFSensory Spaces is a series of commissioned solo projects presented in the Willem van der Vorm Gallery at the Museum Boijmans Van Beuningen, Rotterdam. Liu Wei was asked to make a site specific installation in the gallery; it deals with China’s rapid modernization and urban growth.

Exhibition runs till September 28 2014

Museum Boijmans Van Beuningen asked Liu Wei (Beijing, 1972) to make a site-specific for the forth edition of Sensory Spaces. Liu Wei’s work deals with China’s rapid modernization and urban growth.

Literally using the materials a city is made of, he takes the power structures and dynamism of urban society as his subject. His two- and three-dimensional works consist chiefly of assemblages of materials and objects from everyday reality. He physically deconstructs our reality to expose the underlying urban dynamic.

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For the installation in the museum the artist has placed enlarged construction elements, which are both building blocks and sculptures, in the exhibition space. Collectively they form a larger-than-life do-it-yourself kit, like an urban landscape through which visitors can walk. The installation alludes to construction and decay, to possibilities and utopias.

For more information download the Liu Wei Sensory Spaces brochure

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